How is it that Libba Bray makes her characters so achingly real? I’ve talked a bit about character motives and character quirks in the past, and there are always more avenues to explore in characterization.
I’ve recently been reading Libba Bray’s Gemma Doyle trilogy, which begins with A Great and Terrible Beauty. The cover, a young girl in a corset, threw me off when I first saw it, as it looks like some silly romance; however, I had heard some great things about Libba Bray and was intrigued by the book blurb. Generally, I can read the first couple paragraphs of a book and decide if I want to buy it; A Great and Terrible Beauty passed this test and pulled me right into the mystery.
The character Felicity gives us a wonderful example of Bray’s ability to create realistic, dynamic characters. Felicity, first introduced as a bit of an antagonist, grows into one of the most complex characters in the trilogy. This is hinted at when she jumps dramatically onto the page:
Her white-blond hair is arranged neatly in a bun, as young ladies must wear their hair, but even so, it seems a bit wild, as if the pins won’t really hold it. Arched eyebrows frame small, gray eyes in a face so pale it’s almost the color of an opal. She’s amused at something, and she tosses her head back and laughs heartily, without trying to stifle it. Even though the dark-haired girl is perfect and lovely, it’s the blond who gets the attention of everyone in the room. She’s clearly the leader.
What did Bray do here that characterizes Felicity?
- Shows the character in action
- Points out telling details of her appearance
- Shows the way others react to her
In just a paragraph, and without stopping the scene to describe the character, Bray creates a dynamic, fluid picture in our minds. One of the most important things here is showing the way others react to a character, something often overlooked.
What other strong characters stand out to you? What makes those characters stand out?