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Books vs. e-Books

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Books or e-books?  First of all, I don’t think this is a zero-sum game – that is to say, there’s definitely room for both real books and e-books in the world.  Although I definitely read way, way more real books (I have yet to pay for an e-book; I’ve only read free ones.  If I’m going to pay for it, I want to be able to HOLD it), there’s definitely a place for e-books.

What do you think are better places for e-books and better places for real books?  For example, one may be better for traveling and the other better for lending.  One may be better for reading embarrassing books (a la 50 Shades); one may be better for reading to a kid at bedtime (picture books!).  One may be easier to sign than the other…  Anyhow, check out the infographic below and feel free to weigh in!

Books vs. eBooks infographic - Novel Conclusions writing blog - writing tips - reading

Books vs. eBooks via stephenslighthouse.com

P.S. My favorite part might be the reminder that “Walking to the library is still the most ecofriendly way to read.”

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Authenticity in YA Fiction

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Child Soldier Drawing - Novel Conclusions writing blog - writing tips - authenticity in writing YA fiction

Child Soldier in the Ivory Coast, Africa, by Gilbert G. Groud via Wikimedia Commons

Orson Scott Card definitely caused a stir when he published Ender’s Game in 1977 with a young child being trained as a battle mastermind, away from his parents and any true parental authority from age 6 onward.  Very few books up to this point treated any character under the age of 14 as a character whose thoughts were to be taken seriously.  Why should a child represent humanity?

In an introduction to a reprint edition of Ender’s Game in 1991, Orson Scott Card tells us,

Never in my entire childhood did I feel like a child.  I felt like a person all along – the same person I am today.  I never felt that I spoke childishly.  I never felt that my emotions and desires were somehow less real than adult emotions and desires.  And in writing Ender’s Game, I forced the audience to experience the lives of these children from that perspective – the perspective in which their feelings and decisions are just as real and important as any adult’s.

Although there are definitely inauthentic parts of Ender’s Game (psychologically damaged and chauvinist much?), Card went out of his way to prove that children take themselves seriously even when adults frequently don’t.  This is one of the primary things that separate YA and MG (middle grade) books about youth from adult books written about children/youth; in the YA and MG books, the protagonists are acting in the here and now.  These youthful protagonists have real emotions and real issues; we as writers must treat these issues as such.  If we do not, we risk losing our readers.

Having spent years working with kids, both in my time teaching and in my ten summers at a girls’ overnight camp, I can absolutely attest to the idea that kids and youth have real emotions, desires, and issues.  The primary difference between them and us is their lack of experience (and their frequent desire to hide that lack of experience).

What we as writers must learn to do is write the truth right there on the page; it should ring with emotional integrity.  This can be harder than it sounds.  In Writing Irresistible Kidlit, Mary Kole reminds us that

Teens have a very sensitive BS-o-meter.  So for the YA market especially – even though this applies to all kidlit – authenticity and truth are paramount.  If something is cheesy or irrelevant, teen readers will not hesitate to declare you a poseur.

What are our takeaways?

  • Be authentic in your writing.  Write truth.
  • Treat your characters’ issues like they matter.  If they don’t matter to you as the writer, they certainly won’t matter to your readers.

What else do you think is frequently stereotyped with youth protagonists?  Do you have any favorite authentic youth protagonists?

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How Can I Help Debut Authors? And Why Would I Want To?

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Transparent - Natalie Whipple - Debut Author 2013 - Novel Conclusions writing blog - writing tips

Transparent via nataliewhipple.com

Today is a very special day.  Today is the day that debut author Natalie Whipple’s book Transparent comes out.  Transparent is about a girl with the power to become invisible whose mob boss daddy makes her do crazy stuff – and she wants to escape.

What makes Natalie Whipple so special?  Well, as of last summer, I hadn’t written much of anything that wasn’t work-related in about 7 years, since I graduated from college.  At first, I wasn’t writing because I was teaching, and teaching in a bad area is an 80-hour-a-week job.  Later, I wasn’t writing because I had gotten out of the habit.  Last summer, I ran across Natalie Whipple’s blog, and I realized how much I really missed writing.  She inspired me to write again (Side note:  I’ve been following her blog since last summer, but I don’t comment on it frequently because of how often the Captcha ate my comments in the past.  Boo Captcha).  Although my current work in progress is far from finished, it is thousands of words more than it might have been if I hadn’t been re-energized by Natalie’s blog.

How can we help debut authors like Natalie Whipple?  And why do we want to?

Spread the word.  Tell your friends, ask for it at the library, post about it on Facebook/Twitter/Tumblr/etc., or even blog about it.

Buy the book within the first 3 months it comes out.  This seems obvious, but it’s worth repeating: if it’s an author you really want to support, actually buy the book.  The first 3 months are when publishers are watching.  Pre-order it or buy it in the store.  And then write the review afterwards.  Remember that buying it in a brick and mortar store does more for the author than buying it online.  If you buy the book in a store, that store is more likely to stock an additional copy or two – and shelf space is at a premium.  Shelf space is free advertising for books that they don’t get elsewhere.

Why should we support these hard working authors?  We should support them because good books need a leg up.  There is only a certain amount of publicity budget available at publishing houses these days (and even less budget available for many self-published and indie authors), and mid-list authors with great books can benefit from a few extra recommendations ever so much.  Getting the word out about authors and books we love is paying it forward.  Every single mention counts.  I’ve heard John Green got to where he is because his books spread virally before he made it big.

But, you say, there are so many!  Well, just pick a couple you’re excited about and spread the word.  Here’s a few sites to encourage your imagination:

What other advice would you add about supporting debut authors and their ever-so-fabulous debut novels?  Where else have you seen debut author listings online?

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How a Book is Born

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Today is the day for a short post.  Galley Cat over at mediabistro.com recently shared this oh-so-fantastic infographic that absolutely deserves more blog love.  You can find the origin of the infographic over at weldonowen.com.

My favorite part of this infographic is that it is never ending; no matter where you are on the chart, you can end up with a book about goat farming (or publish a novel).  What would you add to this chart?  Perhaps a section on self-published books?  Perhaps a section on unicorns?

How a Book is Born infographic - Novel Conclusions - writing blog - literary blog - writing tips

How an Idea Becomes a Book via weldonowen.com

Punching Up That Theme

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Holes - Louis Sachar - YA Books - theme - writing tips - Novel Conclusions - Christi Gerstle

Louis Sachar’s Holes via Google Images

So you’ve gotten past the first draft, perhaps past the fifth draft, and you’re starting to hone in on bigger picture ideas like theme.  But what are the themes in your story?  And how do you make sure they don’t come across as forced morals?

Since I have trouble with this in my writing, I thought we could examine how the experts have done it.  In this case, those experts are JK Rowling and Louis Sachar.  Both Harry Potter and the Sorcerer’s Stone and Holes explore the theme of the importance of true friendship, and both of these books do it in a way that is real, warm, and absorbing, despite some crazy circumstances.

In Louis Sachar’s Holes, our “cursed” protagonist Stanley Yelnats has gotten himself into quite a pickle.  Accused of a crime he didn’t commit, he’s sent to a juvenile detention camp in the middle of the desert with a bunch of much less innocent delinquents.  Stanley makes friends with another outcast, a kid named Zero.  Inevitably, they get into some much more serious trouble (I won’t spoil it too much here), and they end up saving each other’s lives.  For the first time in as long as he can remember, Stanley has a real friend.  When he and Zero are still mired in craziness, Stanley is the happiest he’s ever been because he has someone he can depend on:

As Stanley stared at the glittering night sky, he thought there was no place he would rather be.  He was glad Zero put the shoes on the parked car.  He was glad they fell from the overpass and hit him on the head.

With some fantastic showing instead of telling, Sachar explores this theme of the importance of true friendship without getting preachy.  We know, through Sachar’s spare, straightforward storytelling, that Stanley and Zero needed each other.  The theme is an integral part of the plot, and it gives the story depth.

Rowling explores this same theme in Harry Potter and the Sorcerer’s Stone (or Philosopher’s Stone), the first book in the series.  She knew (though we as readers did not) that the friendship between Harry, Ron, and Hermione had to hold strong for an entire series and had to ring true.

Harry winning their friendship.  JK Rowling was so adamant about the importance of this scene that she had to convince her editor it was worth keeping.  On her old website, she explained, “Hermione is so very annoying in the early part of Philosopher’s Stone that I really felt it needed something (literally) huge to bring her together with Harry and Ron.”

What can we learn from these expert authors?  What questions can we ask ourselves while revising?

  • Which themes exist already in my story?
  • Which of these themes is most integral to my plot?
  • What can I do to make this idea clearer?

What do you all think?  How do you approach theme when writing?

The Humor(ist) in Equal Rights

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Erma Bombeck - Novel Conclusions - Christi Gerstle - equal rights act

Aunt Erma’s Cope Book courtesy of Amazon

“When I stand before God at the end of my life, I would hope that I would not have a single bit of talent left, and could say, ‘I used everything you gave me.'” – Erma Bombeck

I celebrated my 30th birthday this week (eek! A whole new decade!), and I thought this was a good opportunity to recognize a pretty fantastic journalist and author who also has a February birthday, a woman who made a difference for authors everywhere, especially female authors.  This woman is Erma Bombeck.

I I grew up reading Bombeck’s hilarious schtick on family life and life in general.  My mom had a collection of Bombeck’s books, and I remember pulling them off the shelves at a fairly young age and reading them out loud to my mom while she made dinner.  Bombeck had an optimistic and offbeat way of looking at everything and finding humor even in tragic circumstances.  Bombeck was also part of the Presidential Advisory Committee for Women that supported the Equal Rights Act in the 1970s.  As a result of this involvement, many of Bombeck’s books were pulled from shelves of local bookstores.

One of my favorite quotes of hers is the one above.  I hope we can all be reminded that every day is a gift of time to use our talent productively.  I now have a whole new decade to use productively (still can’t believe I’m now a thirty-something!  Egad!).

Have you ever read any of Erma Bombeck’s books?  And do you have any advice for newly minted 30-year-olds?

P.S.  Speaking of using our talent productively, there’s a fantastic/evil app for that, Write or Die.

DRM or Do I Really Own My E-Books?

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e-books DRM - digital resource management - publishing DRM - Novel Conclusions blog - e-book licensing - censorship

via Google Images

Yes, it’s easy to download e-books lickety-split, and yes, they’re great to read on trains, planes, and big ol’ public transit (although I still get car sick reading anything in the car).  However, do we really own our e-books?  And what are the implications of owning or not owning said e-books?

For some of y’all, this info is old hat.  You already know that when you buy a new book from Amazon (unless it’s in the public domain), that you’re essentially renting the book.  Why is this?  The reason for this is DRM (Digital Rights Management).  It’s certainly more difficult to lend your bestie your whole e-collection of Janet Evanovich or JK Rowling without actually lending her the reading device itself.

The eerie censorship quirks of DRM became a bit more common knowledge with the Orwell debacle in 2009 when Amazon remotely erased from many Kindles copies of Orwell’s 1984 and Animal Farm (highly ironic that 1984 was erased, don’t you think?).  Back in October, Norwegian IT Consultant Linn Nygaard had her Kindle account randomly deleted by Amazon (with all 30-something books attached to it) for reasons unknown to her.  She tried multiple times to get her account reinstated, and Amazon would not reinstate her account and would not tell her why.

This is not just the case with the Kindle.  Other issues can happen with the Nook and other proprietary e-readers.  Barnes and Noble can withhold access to your e-books if your credit card on file is expired even though you have already paid for your books.

There are also some pretty cool things to come from this Big-Brother-esque e-reader technology, like whether people read a book straight through, how long it takes them, and if they finish it at all.  For example, the WSJ tells us, “It takes the average reader just seven hours” to finish Mockingjay, the third Hunger Games book.  As literati Nathan Bransford put it on his blog back in November, “Your E-Reader is Watching You.”

There are lots of pros and cons here.  What do you all think?  Does DRM make you want to buy hard copy books?  Or is it just one of those things we have to deal with since e-books are so incredibly handy?  Or do you have a different take altogether?

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The Art of Naming Your Characters

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Katniss - Hunger Games - Novel Conclusions - Writing Blog - Christi Gerstle

Katniss via Google Images

What are the most important things to remember when naming your characters?

Recently, io9 talked about character names that should be banned, and and it got me thinking about naming characters in general.  I don’t necessarily agree that you should never use the name Katherine (as the author suggests, among other things), but I do think that there are important things that need to be taken into consideration so as not to distract the reader from the story.  Whenever the reader gets pulled out of the story by something jarring (like an ill-fitting character name), they are more likely to put that book down.  And the reader putting your book down is bad, right?  I thought so, too.

Every writer has their own opinion about naming characters in their stories, but I personally subscribe to the screenwriter method.  This method is pretty clearly outlined in William M. Akers’ Your Screenplay Sucks: 100 ways to make it great (crazy title, awesome book – I highly recommend it for anyone writing any type of fiction).  One of the main tenets of this method is trying your best to not give characters names that start with the same letter or rhyme.  This can be easily accomplished by listing the letters A to Z and not using more than one name for each letter (and if you have more than 26 main characters, that’s a whole different issue).

You can also go a little further and give characters names that mean something, that say something about their character.  Dickens and Shakespeare were big on this.  In more recent years, JK Rowling gave quite a few of her Harry Potter characters Latinate names that hinted something (for example, Dumbledore comes from the Latin word for “bumblebee”), and many of her characters were named after stars/characters from mythology (Sirius, Bellatrix, Regulus, Merope, etc.).  Frequently her nods at mythology related directly to the character, as in the case of Remus Lupin being a werewolf (Remus, in mythology, was one of the twins who founded Rome and was raised by a wolf).  You’ve got to be careful with this, though, or you might fall into accidental parody territory, which would generally be bad times.

One thing that really bugs me is popular names that are spelled in crazy irritating ways, like Kaiyleigh, Ashli, Jaydenn, Jessikah (aaahhh, I can’t even write any more of these horrible names), unless of course your characters actually live in a trailer park.  If you must name your character a popular current name, for goodness sake, please spell it in a way that doesn’t burn your readers’ retinas (Kailey, Ashley, Jaden, Jessica, etc.).

Some science fiction and fantasy books can get away with unusual names, like Game of Thrones or Hunger Games, but even then, it’s helpful to keep the names as pronounceable as possible.  In Game of Thrones, we can all pronounce Cersei, Sansa, and Tyrion even though we’ve never seen those names before.  In Hunger Games, Katniss, Peeta, and Prim are all names that we can pronounce.  Capiche?

What tips and tricks do you use when naming characters?  Or do you just use names that “feel right”?

What Makes Love Triangles So Compelling?

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Love Triangles - Dante's Inferno - Novel Conclusions - writing blog

Gianciotto Discovers Paolo and Francesca (Dante’s Inferno) – via Wikimedia Commons

I’ve been pretty absent from the blogosphere recently as I’ve been down for the count with that cold/flu thing that’s been going around.  If you get it, hit that Vitamin C, stat!  Anyhow, in honor of the upcoming Valentine’s Day, we’re going to chat about some famous love triangles in literature.  What makes them so compelling?  And why do they seem to be in every other story?

If you take a little tour through past and current popular fiction, love triangles abound like wizards at Hogwarts.  Before all the tween girls this side of Friday were oohing and aahing over Jacob, Bella, and Edward (Go Team Jacob!  Yes, I confess I did read the books…), some pretty justifiably famous love triangles reigned in literature, with a few things in common.

Who can forget Darcy, Elizabeth, and Wickham?  In Pride and Prejudice, while we’re on Elizabeth’s side the whole time, we watch Darcy and Wickham alternately lose and win her favor.  In Gone with the Wind, we’re pulling for Rhett the whole time as Scarlett pines after a guy named Ashley (Scarlett, honey, you should’ve known he wasn’t the one as soon as you heard his girly name.  Sigh.).  Edith Wharton’s The Age of Innocence gives us a heart-wrenching love triangle with a much sadder ending.  When Newland falls in love with his fiancée May’s married, scandalous cousin Ellen in the 1870s, bad times ensue.  You can go further back to Shakespeare’s Twelfth Night and even the Arthurian legends of Guinevere and Lancelot falling in love behind Arthur’s back.

We could go on and on here, but what makes these love triangles work?  These love triangles compel us to turn page after page because the emotions feel real and immediate.  It doesn’t hurt that love triangles naturally create tension, an essential ingredient for plot.  When love triangles are done well, when the author upholds the emotional integrity of the story, we as readers can’t put the book down.

Elizabeth Bennet’s original hatred of Darcy and her infatuation with Wickham were as real to us as later her slowly dawning love for Darcy and her disgust for Wickham feel real.  We live through these events as Elizabeth does because Austen upholds the emotional integrity of the story.  She doesn’t step outside the fourth wall to preach at us or to tell us what Elizabeth or Darcy or any of the characters ought to think.  She lets the characters lead the story, rather than letting the story lead the characters.  And it doesn’t hurt that Darcy is pretty hot and pretty rich…

Which love triangles do you love?  Which love triangles stand out to you in fiction?

The Booker Award & the Versatile Blogger Award

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the-booker-award novel conclusions writing blogHey y’all, it’s award time!

The lyrically lovely writer Asha Seth over at Amidst Books presented me with the Booker Award last month.  Asha has a beautiful writing style; definitely stop by her site and say hello.  I am so honored that she thought my blog worthy of this award!  I have been putting off accepting the Booker Award on this blog because it asks me to choose my top 5 favorite books, which is excruciatingly like choosing a favorite child.  But I decided to bite the bullet and do it.  The rules for the Booker Award:

The Booker Award is for book and literary blogs that are at least 50% about books, reading, etc.  On being awarded with the Booker Award, you must share:

  • Your top five favorite books.  Mine are:
  1. Pride and Prejudice by Jane Austen
  2. The whole Harry Potter series by JK Rowling
  3. The Handmaid’s Tale by Margaret Atwood
  4. A Wrinkle in Time by Madeleine L’Engle
  5. The Time Traveler’s Wife by Audrey Niffenegger
  • Your most favorite author (and why).  My favorite author is JK Rowling.  Her tight plotting is masterfully done, and I love her amazing characterization and world-building ability.
  • Your favorite genres.  I read everything, but lately I’ve been reading lots of YA fiction (it’s like market research for my writing…).
  • Give this award to 5 or more bloggers (see below) and let them know with a comment.
  • Show this award off on your site and link back to whoever gave it to you.

I’m awarding the Booker Award to these fantastic literary blogs  (should they choose to accept) :

versatile_blogger novel conclusions writing blogThe amazingly warm and friendly writer Pish Nguyen over at Blog of Loveliness has awarded me the Versatile Blogger Award.  Yay!!!  Definitely drop by Pish’s awesome blog and say hello.  The rules for the Versatile Blogger Award are as follows:

  • Display the award certificate on your website
  • Announce your win with a post and link to whoever presented your award
  • Present 15 awards to deserving bloggers
  • Drop them a comment to tip them off after you’ve linked them in the post
  • Post 7 interesting things about yourself (see below)

I’m awarding the Versatile Blogger Award to these deserving blogs below (should they choose to accept).  I’m breaking the rules and only choosing 6:

I am ending with 7 things about me for the Versatile Blogger Award:

  1. My favorite color is burgundy, but I don’t like the color red.
  2. I have a twin brother.  It still amazes me how often people will ask, “Are you identical?”  Well, I’m a girl, and he’s a boy; what do you think?  Goodness.
  3. When I was little, I had a Southern accent (I was born in the South, after all).  There are home videos to prove this.  Sometime after we moved to Florida when I was a kid, the accent ran away, but I can still pull it out of my back pocket whenever I want.
  4. I worked at an overnight Girl Scout camp every summer for 10 summers starting when I was a teenager, including a few summers as assistant director, plus a week here and there for a couple summers beyond that.  Leaving teaching put a dent in my ability to work at camp.
  5. As hinted at in #4, I am a HUGE advocate of technology-free summer overnight camps.  Not only are they cheaper than camps that have air conditioning, they teach your child independence.  No matter what a kid grows up to be, she will need confidence and people skills, two things camp builds in abundance.
  6. I love Bananagrams.  So fun.
  7. Linguistics fascinate me.  I have hinted to my man that an OED might be a good gift someday.  This is perhaps a holdover from my days as an English teacher/copy editor/Creative Writing major.

Happy Friday, all!

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