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Should I Really Read the Classics? AND a Giveaway

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MacBeth apparition - why read classic literature - enjoying the classics - Novel Conclusions - Christi Gerstle - literary blog - writing tips

MacBeth: the Apparition of the Kings by Théodore Chassériau, via Wikimedia Commons

There comes a certain point in your time as a reader, at least for more serious readers, when you decide you should read some classics.  When I was a kid, I wanted to read the classics because it was the smart thing to do (and smart was cool, in my lexicon as a middle schooler – although that lexicon also involved lots of ugly baggy 90s shirts, but whatevs…).  Other people read the classics because they’re curious or because someone recommended a certain book or even just because they have to for school.

When I was at the book signing week before last, I was talking with a couple teenage girls there, and they said they hadn’t really read any classics, that they really preferred girly YA books.  And there’s nothing wrong with girly YA books!  I love me some adventurous, booty-kicking YA heroines.  So why read classics?

For a few reasons:

  1. You can more fully understand the fun books you’ve been reading this whole time.  How is this?  Well, most authors are very well-read and tend to incorporate that into their work.  Take JK Rowling as an example – the Harry Potter series is filled with allusions to works like the Iliad, MacBeth, the Canterbury Tales, and the Bible.  The characters even have a discussion about the meaning of I Corinthians 15:26 (“And the last enemy that shall be destroyed is death”), among other things, in Harry Potter and the Deathly Hallows.  Other examples of this are the frequent allusions to Tennyson’s poetry and Dickens’ A Tale of Two Cities in Cassandra Clare’s The Infernal Devices series and Suzanne Collins’s abundance of allusions to the Roman Empire and to Shakespeare’s Julius Caesar in The Hunger Games trilogy.
  2. It makes you part of a unique group. Not everybody reads classics.  You get to be part of the “in jokes,” so to speak, in the literature and book publishing arena whenever people allude to the books you’ve read (and no worries – no one has ready every classical book out there).
  3. It gives you a broader perspective of the world in general.  When could a broader perspective ever be truly bad?  Broader perspectives lead to things like the abolition of slavery and equal rights for women.
  4. It’s fun.  Some classics are just as fun to read as books written in the current era.  See below for a short list.

Easier Classics
A small sampling:

  • Pride and Prejudice by Jane Austen – basically a romantic comedy.  Who doesn’t love Elizabeth and Darcy?
  • A Farewell to Arms by Ernest Hemingway – love in wartime.  It’s a little sad, though, so advance warning.
  • Candide by Voltaire – a French comedy with adventure, love, pirates, and Turkish chain gangs.
  • The Importance of Being Earnest by Oliver Wilde – a mistaken identity comedy.
  • The School for Scandal by Richard Brinsley Sheridan – a hilariously gossipy comedy, with character names like Lady Sneerwell, Sir Backbite, and Snake.
  • Much Ado About Nothing by William Shakespeare – get the edition that has explanations on every other page, makes all those Shakespearean insults more understandable (and therefore funnier).
  • Brave New World by Aldous Huxley – dystopian fiction from long before The Hunger Games.

NOW FOR THE GIVEAWAY

As promised last week…  If you’d like to be entered into the giveaway for a signed copy of Cassandra Clare’s Clockwork Princess, here’s what you do:

  1. You need to already live in the US or Canada (sorry, international folks, postage is expensive for huge hardcovers).
  2. Comment below with a number between 1 and 1000 by next Sunday, April 7, at 9 pm Pacific Time.
  3. In your comment, if you like, answer this question: what’s your favorite classic book and why?  And if you don’t have a favorite classic, what’s one you’d like to read?

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What Makes Love Triangles So Compelling?

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Love Triangles - Dante's Inferno - Novel Conclusions - writing blog

Gianciotto Discovers Paolo and Francesca (Dante’s Inferno) – via Wikimedia Commons

I’ve been pretty absent from the blogosphere recently as I’ve been down for the count with that cold/flu thing that’s been going around.  If you get it, hit that Vitamin C, stat!  Anyhow, in honor of the upcoming Valentine’s Day, we’re going to chat about some famous love triangles in literature.  What makes them so compelling?  And why do they seem to be in every other story?

If you take a little tour through past and current popular fiction, love triangles abound like wizards at Hogwarts.  Before all the tween girls this side of Friday were oohing and aahing over Jacob, Bella, and Edward (Go Team Jacob!  Yes, I confess I did read the books…), some pretty justifiably famous love triangles reigned in literature, with a few things in common.

Who can forget Darcy, Elizabeth, and Wickham?  In Pride and Prejudice, while we’re on Elizabeth’s side the whole time, we watch Darcy and Wickham alternately lose and win her favor.  In Gone with the Wind, we’re pulling for Rhett the whole time as Scarlett pines after a guy named Ashley (Scarlett, honey, you should’ve known he wasn’t the one as soon as you heard his girly name.  Sigh.).  Edith Wharton’s The Age of Innocence gives us a heart-wrenching love triangle with a much sadder ending.  When Newland falls in love with his fiancée May’s married, scandalous cousin Ellen in the 1870s, bad times ensue.  You can go further back to Shakespeare’s Twelfth Night and even the Arthurian legends of Guinevere and Lancelot falling in love behind Arthur’s back.

We could go on and on here, but what makes these love triangles work?  These love triangles compel us to turn page after page because the emotions feel real and immediate.  It doesn’t hurt that love triangles naturally create tension, an essential ingredient for plot.  When love triangles are done well, when the author upholds the emotional integrity of the story, we as readers can’t put the book down.

Elizabeth Bennet’s original hatred of Darcy and her infatuation with Wickham were as real to us as later her slowly dawning love for Darcy and her disgust for Wickham feel real.  We live through these events as Elizabeth does because Austen upholds the emotional integrity of the story.  She doesn’t step outside the fourth wall to preach at us or to tell us what Elizabeth or Darcy or any of the characters ought to think.  She lets the characters lead the story, rather than letting the story lead the characters.  And it doesn’t hurt that Darcy is pretty hot and pretty rich…

Which love triangles do you love?  Which love triangles stand out to you in fiction?

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